Author: dai

Hey! I’m Dai, and this is the first post for my new series, Chroma. In this series, I’ll generate a random color palette each week and create an illustration based off of it. I’ve always loved adding color to my works, but I often find myself struggling to choose which colors to use. Through this series, I hope I’ll be able to improve my coloring skills, as well as create new art for the readers of arts, ink. to enjoy.

This week, I generated this palette on Coolors.co. I loved the contrast between the bright red/pink and the cool blues and purples, and I knew I wanted to create a night scene with this palette.

Recently, I’ve been wanting to draw more animals in my illustrations. For the longest time, I only drew people, barely drawing objects, animals, or backgrounds, so I went slightly out of my comfort zone with this piece, though I’m very happy with how it turned out! I ended up using the blue, purple, and black mainly for the background/sky, while using the red/yellows for the lighting and the tiger. I wanted to capture the atmosphere surrounding railroads at night, and I hope I captured it well.

For this week’s edition of Yesterday, I painted an old-fashioned diner with an elderly snail enjoying some bacon and eggs, inspired by @slimetownusa on TikTok. As shown through the window, the newspaper, and the TV, there’s some trouble in the Snail Diner. While I wanted to make a cute painting, I also wanted to connect the 50s-style diner with the Cold War era going on at the time, in which there was a large nuclear war scare. The significance of the diner patron being a snail is up for interpretation!

As the final installment of my three-part series about Asian American Hollywood actors and actresses, I wanted to focus on a woman not as well known as Anna May Wong or Sessue Hayakawa: Kieu Chinh, a Vietnamese American woman who most commonly acted in Vietnam War films. Featured in films such as Operation: CIA (1965) and A Yank in Viet-nam (1964), she later stated in an interview with the New York Times that “I’d like to see more stories based on the Vietnamese people, on our culture, so the audience will see more of the civilian side of life instead of just barbed wire, blood and bombing”. More recently, she starred as Suyuan in The Joy Luck Club (1993) and Journey from the Fall (2005), a film that follows a Vietnamese family through the re-education camps, boat people experience, and being refugees in the U.S. after the fall of Saigon. Since the start of her career, she’s received numerous awards, including an Emmy Award and multiple lifetime achievement awards. 

Continuing my three-part series seeking to shed light on early Asian American actors and actresses in Hollywood, I decided to paint a piece dedicated to Anna May Wong, known as the first Chinese American Hollywood movie star. Famous for her roles in films in the 1920s and 1930s, Wong gained international recognition, helped humanize Chinese-Americans in the American public, and remains an iconic figure in the Asian-American community, receiving a star on the Hollywood Walk of Fame in 1960 and having an award named after her in the Asian-American Arts Awards.

Although Wong achieved high amounts of success during her career, she was also overlooked for leading Asian roles for “looking too Chinese”, with directors often casting white actresses instead. Famously, Luise Rainer (a white actress in yellowface) was chosen over Wong to play the character of a Chinese peasant farmer in “The Good Earth” (1937), a choice that was known as one of the most severe disappointments in Wong’s career. She was offered to play an evil prostitute in the film, but refused the offer, saying that “You’re asking me – with my Chinese blood – to do the only unsympathetic role in the picture, featuring an all-American cast portraying Chinese characters”. Frustrated by the type of roles she was offered in America, Wong later moved out of the country and went on to star in numerous hit films. Wong’s staunch refusal to play such negative depictions of Chinese and Asian characters in a largely discriminatory and racist society has cemented her legacy in the Asian-American community.