Letters by Lydia: Cursive vs Calligraphy vs …?

Happy Wednesday, y’all!

Today we’re gonna take a bit of a deep dive into the terminology for different types of lettering.  Overall, it really doesn’t matter, but I would say the most common question when it comes to lettering is “isn’t it just cursive?”  If you don’t know the difference either, no worries!  Hopefully this clears things up 🙂

So what’s cursive? I’m sure most of you are aware of what cursive actually is, but things probably get a little foggy in terms of how it differs from other forms of lettering. The main difference is that cursive isn’t really a form of art and instead a style of writing. Cursive is supposed to be a way of writing that’s more efficient than regular writing because your pen never has to leave the page–in other words, it’s practical and more of a fancy-looking shortcut than anything.  It’s also much more rigid in terms of style and rules; there’s a cursive alphabet that, aside from a few stylistic variations, is pretty set in stone.

Lettering (synonymous with handlettering), on the other hand, is an umbrella term for all sorts of word art. Calligraphy, which falls under the lettering category, is probably the most similar to cursive.  There’s a lot of different kinds of calligraphy, but it’s typically based loosely on cursive, and is centered on the idea of using strokes (you can check out my post on upstrokes and downstrokes to learn more about that!).  Unlike cursive, calligraphy is much more flexible and can involve a lot of experimentation or style variation, which in my opinion makes it a lot more fun.  You can see my version of a calligraphy alphabet below, and then I also included potential variations of uppercase letters (A) and lowercase letters (I chose “r” because it has a lot of fun options).  Some people also refer to this as modern calligraphy, because calligraphy can also refer to the sort of gothic style that would use a pen and ink or some sort of pen with a nib.

Lettering in general essentially just means “drawing letters” in an artistic way.  This means that instead of adhering to strict rules like cursive, or requiring the use of strokes like calligraphy, lettering can be any creative depiction of letters.  For example, bubble letters would fall under the lettering category, because instead of using lines and strokes to create a letter, you’re using shapes.

There are pretty much limitless other categories that fall under the umbrella of lettering, but some other common ones include brushlettering, which I’ve talked a lot about, faux calligraphy, serif and sans serif, gothic, and tons of other ones.  Hopefully that helps clear up any confusion, but feel free to leave any other questions in the comments!

Have a lovely rest of the week everyone 🙂

Letters by Lydia: All About Brush Pens

Welcome back everyone! Hopefully you all enjoyed the holiday break and are settling into the new semester smoothly 🙂

Today we’re gonna take a bit of a deep dive into brush pens. I’ve talked about them a lot before, but I’ve never fully gone into all the different types and variations, so let’s get into it!

First and foremost, there are three major materials brush pens can be made from: hair or bristles, felt, and plastic.

   

For beginners, felt or plastic is definitely the way to go–these are firmer, less flexible, and generally easier to work with.  Personally, I prefer plastic nibs, because they don’t really fray, they last a long time, and they’re usually a bit juicier.  The one I have pictured above is unusually large and clunky–usually these are small and very easy to work with. Felt tips are probably the most common, but they fray pretty quickly if you don’t use a certain kind of paper, and dry out more easily than plastic. Brush pens with bristles are the most difficult to handle, as they’re the most flexible.  That said, if you’re good at it, you can get incredibly results with these.

From there, size is the other important factor to consider, and it kind of goes hand in hand with elasticity.  Brush pens that are more elastic will be more flexible, which means you can get thicker strokes with them in addition to the thin strokes.  Below you can see some different types of brush pens, from super small and firm–you may recognize the monami plus pen 3000 here, which I reviewed a while ago–to really big and flexible.

In terms of major categories, there’s essentially just super small pens (as in, monami plus size), medium sized (I don’t have a lot of these, but the faber-castell is probably the closest bet), and then large (ecoline, marvy uchida, tombow, and karin are all good examples of this).  Hopefully you found this interesting and learned a bit about brush pens, and have a lovely first week of classes!

Letters by Lydia: Upstrokes and Downstrokes

Welcome to another week y’all! Today I thought I’d give you all a little intro on brush lettering 101.

To start, what exactly is brush lettering? Just what it sounds like.  It’s handlettering, but specifically with brush pens.  If you’re new here, a brush pen is basically a marker with a brush tip, which handletterers use when they want to get line variation in their letters.  I would say brush lettering is probably the most common type of lettering, but it definitely has a bit of a learning curve.

The key to it is in learning the different kinds of strokes, or lines.  The basics all come down to upstrokes and downstrokes.  Upstrokes are thin lines that use just the very tip of the brush pen, and they start from the bottom and go in an upwards direction (as the name implies).  Downstrokes, again, what a shocker, start at the top and go in a downward motion.  These are thicker lines because they involve using more pressure on the pen.  I demonstrated this with the pictures below, using my favorite brush pens, Karin brushmarker pros.

 Once you get these basic strokes down, you can start experimenting with more complicated strokes.  I’m not sure who originally came up with this set of strokes to practice, but I know I’ve seen @thehappyevercrafter and @ensigninsights use these on Instagram (highly recommend their accounts, especially for beginners!).  In any case, these are essentially the core kinds of strokes or lines you’ll need to be comfortable making, because they appear in a lot of letters.

They can definitely be a little awkward at first, but once you get the hang of them, lettering with brush pens will be soooo much easier!  In the picture I included here, I drew the strokes in the top line and added in a circle so you know where to start, and then arrows so you know which direction you’re drawing in.  In the second line, I drew the same strokes again just so you can see them a little more clearly.  As you can see, all the upstrokes are thin and all the downstrokes are thicker lines.

So how do these actually show up in lettering?  Let’s look at some letters so you can see 🙂

 Here’s your basic lower-case, cursive “a”.  To make this, you actually have to use two strokes (shown in the picture), meaning you pick up your pen once in between.  For the first stroke, the oval-ish shape, you start where I put the little 1 in a circle.  From there, you start with an upstroke, then transition into a downstroke, and finish off with another upstroke that connects to the first.  Then, you pick up your pen, and begin stroke two!  This one is a lot easier–start at the same height as the top of your oval, and just go straight down, then kind of flick your pen back up for that final upstroke.  I’m not going to guide you through every letter because we’d be here forever, but I did include a little sheet I drew of all the letters and some guiding arrows for each of the strokes involved.  I also color-coded them, so the stroke you start with is in red, followed by a yellow stroke, and on a few letters there’s a third stroke which is in blue.  Of course, there are tons of styles for writing the alphabet, and every lettering artist does it a bit different, but this is how I tend to do it!

I hope you enjoyed learning a bit about brush lettering, and please let me know if you try this and found it helpful, or have any questions! See y’all next week 🙂