Frivolous Fairy Tales: Vivian Virtue Part I

There once was a woman named Vivian Virtue who lived in a pretty three-story apartment complex. And much to the horror of her older neighbors, Vivian was seen every night with a new man linking their arm with hers. The first week that the neighbors had noticed her habit they’d press their ears against shared walls, floors, or ceilings, wondering at the absence of unbecoming sounds they’d expected from an exuberant young woman such as her. After the first week of shameless snooping, they gave it up and went on with their lives. Only occasionally, if they ever crossed paths with her in a stairwell or hallway with a man attached to her hip, would they send her way a sneer of disgust. Thus, Vivian’s notoriety was cemented by her lack of Virtue.

One day, however, 60-year-old Martha who shared a wall with Vivian, was woken with a start. A loud thud had echoed from right beside her bed. Then came the muffled moans. It took a while for her to understand what was going on when her face was overcome by a deep flush. She was scandalized and vexed. Vivian was a fiend, Martha had always known, but she had simply ignored the fact since the young lady had never exhibited her loose behavior. However, now that she had, Martha finally had her chance to give a harsh lecture to the young lady. One that she had been preparing since that first week of Vivian’s man-trapping days. 

Yes, Martha thought, it was time the youth learned a thing or two about propriety. 

To be continued . . .

Frivolous Fairy Tales: In the cesspool of my dreams . . . 

This poem is borne from the idea of a creature that would be able to travel into our minds. What would it think about our deepest thoughts?

But this is also just me practicing structured(ish) poetry by limiting myself to eleven syllables for each line. But it’s a loose rule since the structure breaks apart a few times. I tried my best to develop the poem’s fantasy elements so that it’s at the very least least fairy tale-adjacent.

~

In the cesspool of my dreams a shadow prowls 

leafing through my memories, it hums in thought,

pausing at each page turned, it raises a brow,

weighing each scene’s absurdity— all for naught.

 “A dreadful, sinful person,” it must presume.

Alas, this is the shadow prowler’s sole role,

deterge, depurate those degenerate tombs—

tombes of our memories, that twin to our souls.

But back to me and my character. It’s foul—

or at least so the prowler presumes. It’s right.

Fruit pluckers like I shall be the fall of all.

Best to scourge my rot, all my blights extradite.

So the prowler gouges that meat of my mind,

and carefully bleeds it— drip by drip go by.

Back into me it pours nectar so sublime.

Golden, untainted virtue to gratify

those parents that left me dry

when I told them that one time

of lost dignity and pride

when I sold love for mere dimes

they said they’d rather I died

than have some foul sinner child . . .

At this page, the shadow prowler lays in wait.

Perhaps, its heart twinges with sweet sympathy.

Perhaps, I would be ever so fortunate.

But it’s too late. The nectar swallows fully.

Thus, I’m drowning in its makeshift chastity.

Birthing my new entity and sealing it

where Vice pricked continuous punctures in me.

The shadow prowler retreats when my mind is cleansed and pure like a baby’s.

Frivolous Fairy Tales for Modern People: Window Wiper Fairy

The Window Wiper Fairy doesn’t wipe windows because of fairy altruism. She wipes them because she is stuck to them. And how she got to be there nobody knows. It just so happened that one day the building’s windows were bare all except for dirt, and the next, they were bare all except for a pink-haired fairy. 

People who see the fairy have stopped paying her mind. Perhaps, for a few seconds, they’ll stare as she flaps her glittery butterfly wings and beats them against the glass. Then, they’ll revel in the sight of a window so clean and shiny it reflects like a mirror. But in the end, they simply turn their heads and forget that she’s there. 

Even those within the office on which’s window the fairy hangs from, have moved on from the novelty of her presence. She’s simply one spot where sunlight doesn’t enter. She’s as mundane as a hunted deer head perched above a hearth. 

However, there is one who is rattled by the fairy’s presence.

Every morning, Jodie comes to work with a stronger coffee than the day before hoping she’ll wake up from her strange dream. She sits at her desk and sighs disappointedly because it’s still dark. She glances hesitantly to her right— and low and behold, the pink-haired, glitter-winged fairy remains. 

She tries to ignore the fairy’s presence because everyone else does. And she’s too new to the workplace to ask for another desk. No, every day, Jodie spends the rest of her time in silence, thoughts always fluttering back to the fairy on the window.

It’s even worse for Jodie when the fairy begins her daily routine of batting wings to wipe windows clean. Jodie feels as if she’s sitting next to a prepubescent tornado. 

One day, Jodie finally musters up the courage to talk to the fairy. She knocks on the glass over the small of the fairy’s back and the crease between her wings. 

Thump. Wings hit the window, Jodie almost jolted back.

“Um, hello Fairy.”

Thump. Thump.

“Do you need to get down from there?”

Thump.

“Uh, beat once for yes and twice for no.”

Thump. Thump. Thump.

Well, what is she supposed to do with that?

“Just once or twice, please.”

Again, the fairy flaps three times.

“What does thrice mean? Do you not understand what I’m saying?”

Thump. Thump. Thump. 

Jodie grows frustrated. She bangs her fist hard against the glass where she’d knocked before. The fairy retaliates with four flaps this time, each more forceful than the last. And Jodie hits back.

The two continue with their sharing of blows until Jodie takes a break as her skin turns cherry red. She takes a step back to look for the cool steel of her water bottle, hoping that will soothe her aching fist. But the moment she turns away from the fairy, it slams its wings so hard the window shatters and blows into the office. And Jodie falls to the floor from the force of it all. 

“Jodie.”

Jodie lifts her head to the furious visage of her boss.

“You’re fired.”

“But, it was the fairy—”

When Jodie points back to the now disintegrated window there no longer is the Window Wiper Fairy. Just the open blue sky flooding her desk with brightness once again. 

END

Classic vs. Modern: Fairy Tales

I know my fair share of fairy tale stories thanks to Disney and the countless classics that grace my shelf at home. Cinderella meets her prince charming and lives happily ever after, or Snow White battles the evil queen with her seven dwarfs, ultimately falling in love and living happily ever after. Fairy tales have been around even before Disney took the world by storm with animation and musical classics. Like many folklore origins, fairy tales have been passed down through oral diffusion and reworked to appeal to certain audiences.

The classics that we know so well, Cinderella, Snow White and the Seven Dwarfs, The Little Mermaid, have created a belief in society that what happens in these stories, a beautiful girl going through turmoil and eventually finding love and happiness, is something that we all hope to be true in our lives. The classic films gave a hope for those who wanted something special to believe in, yet they also gave a falsification of reality that modern adaptations have felt compelled to expose.

Once Upon a Time, Shrek, Snow White and the Huntsman, all have reconstructed fairy tales and made the stories we’ve all held dear into modernist takes.

Once Upon a Time follows the story lines of almost every fairy tale character from the classics, and how they are connected to the curse that has fallen upon the main characters. The television show’s take on classic fairy tale stories is inventive and dramatic. The story may twist what exactly happened to each character, but it does so in hopes of finding a greater happiness for all characters.

Movies like Shrek and Snow White and the Huntsman can be considered nods to the classic stories as well. By reinventing the main characters and creating new ones, the stories give the genre something more than just magic and good to believe in. The movies give the fictional characters power, physically and mentally, that helps them fight the evil that will inevitably cross their paths.

These fairy tale adaptations have brought the power that the modern-age has developed when it comes to cinema. No longer is the sweet and innocent story line what captures audiences’ attentions, it has become about the mystery, the intrigue, and the idea of complete failure in order to reach that happily ever after. These adaptations don’t solely rule out the happy ending, but the turmoil that the fictional characters go through is more complex and more hard to overcome.

When you compare the classic tales of magic to the modernist tales of vengeance, you can see the difference decades have made on the idea of the good vs. evil. Movies and television are not wrong in giving such well loved stories new ideas and depth, but there is a clear understanding in what has changed about the beloved fairy tale story. Time. Times have changed and so have the ideologies of what makes a fictional story believable.