Eu Não Quero Voltar Sozinho

A few years ago I stumbled upon a little foreign short film called “Eu Não Quero Voltar Sozinho,” which is Portuguese for “I Don’t Want To Go Back Alone.” It is a coming-of-age story about a young blind man named Leonardo, and is a beautifully done piece about young love. Rather than explain the entire premise and ruin the ending, I’m putting the film here for our readers’ enjoyment:

The story of Leonardo and Gabriel is a story of love and identity that I couldn’t help being captivated by from the moment I saw it. What I love about this film is that, though it has it’s problems, it takes an important step towards greater representation of identities in films. It’s the first story I’ve seen about a young gay man discovering his sexuality who’s lived experience is also influenced by his ability status. Disability is very rarely portrayed in popular culture unless it is a defining characteristic, and to have a blind main character in a film where the focus is not his blindness is really cool. It’s important to point out, however, that this film didn’t go so far as to include a blind actor as the main character, Leonardo, which is a shortfall in representation that is often seen in films today.

If you saw this film and craved more of the story of Leonardo and Gabriel, you are not alone. The film was so popular following it’s release that a full length film based on the original story was created by the director, Daniel Ribeiro. “Eu Não Quero Voltar Sozinho” (The Way He Looks) was released in 2014 and has been nominated for a plethora of independent and LGBT awards, 13 of which it has won. While I cannot in good conscience link video sharing sites for you to watch the film on, I can leave the trailer here for you and inform you that it is in fact available on many sites and suggest that you watch it however you see fit.

What Indie Movies Do to Me

After my first viewing at The Sundance Film Festival last Thursday, I’ve come to realize what Indie movies truly do to me. They make me feel like a puppet. Like a stuffed doll in which they can take hold of me and make me laugh, cry, scream whenever they wanted me to. I sincerely had no idea this was possible.

I went to the Michigan Theater to view the showing of The East, an “eco-thriller” about a an agent named Sarah (Brit Marling,) whose job took her undercover to expose an anarchist group called The East. Their mission was to perform “jams” that attempted to expose large corporations who have silently abused people with their products. The group wanted to give an eye for an eye by treating the corporations with a dose of their own medicine, no pun intended. Overall I liked the movie, It was nothing that I’ve ever seen before, and I liked that because I feel like we see some of the same stale story lines in the theaters. The movie did leave me feeling a little emotionally disconnected near the end, I didn’t quite feel like I knew who the characters really were or their personal motives given the story.  However, what this indie film did to me, going back to the point of this post, was make me feel completely confused about life, not that I wasn’t already confused of course. It exposed me to a realm of society that I knew existed, but I still didn’t quite understand.

I love independent films though. They thrive on getting a reaction from their audience, opposed to simply entertaining them, and that’s brave. I guess you could say I’m a romantic, reality-driven indie movie lover, but then again all indie movies have that aspect somewhere within them. They are so raw, awkward, and real, and regardless of how unwillingly I am to succumb to the grasp of the independent films I watch, I will forever love the what they do to me.