From the Eyes of an Architecture Student: Studio Workspace Experience

Hi Everyone!

I’m back again to discuss this week’s topic: Studio Workplace Experience.
You’re probably going back to the title, re-reading it, and scratching your head in confusion, like what the heck is she talking about?!
Well, to clarify, this week I will be sharing with you my experience and observance of how my classmates and I work on projects (and sometimes a plethora of other assignments and activities)in our work spaces within studio or our other favorite lounges or nooks within the Art and Architecture Building.
So, in case I have not mentioned in my previous posts, our studio space is located on the third floor of the architecture side of the building, and extends across the common space of the new wing, into the new, secluded studios. “Studio space” simply refers to the literal rows of desks that we do all of our project crafting in. Often, whenever you walk by, it’s quite easy to tell when a review (presentation) is coming up, because that is when most (or all) our desks are junked up with piles and piles of papers of various sizes (there’s blueprint sized papers, and then there’s nicer expensive print-outs on poster-sized papers, and then there’s just ordinary print papers too), piles of models and sometimes even residue of the craft (scraps of material, crumbs, knives, trash bags, you name it).
Personally, I really love my studio desk. Why? Well, it’s my personal space. I store whatever I want there conveniently, I decorate it however I wish, there’s plenty of USB and electrical outlet plugs right at my desk, and I’m a bit of a clean freak so it’s often impossible for me to efficiently work elsewhere because I’d spend too much time pickily searching for the “perfect desk” where it’s non-shaky, it’s clean, and spacious, with easy access to electrical outlets. Also, it’s considered my property (at least for the time being until I switch to a new desk next semester) so even if there is someone borrowing my desk, I can kick them out back to their own desk or some other space. Elsewhere, I own no property, and it’s often packed with people, so I waste my time looking for the space, and it does not even guarantee that I will get a spot.
And I even have a key to the drawers that I store my materials in. Oftentimes people leave them unlocked because of the natural “sharing culture” we have within studio, but I wouldn’t recommend doing that because:
 1) you’ve already paid $20 deposit for your drawer key. Might as well use it, right?
2) materials are expensive!! Often, I developed favorites amongst my supplies, and if it’s missing it literally feels like someone stole my child. Not to mention, sometimes things are hard to obtain another duplicate of because it’s very commonplace that the company of that object no longer produces that exact version OR they produced other versions that you aren’t fond of due to unfamiliarity or pricing.
AND
3) Our media center (where we buy food and materials) is not always open, so if someone sees material on your desk, it’s pretty much fair game to them, and it’s often awkward and difficult to hunt down your thief due to the sharing culture of studio, along with the fact that people will take free materials whenever possible!
Anyway, all of those above reasons are likely reasons why nearly most of the people who attend our college are usually around all the time, even if we don’t have something assigned for studio. Sometimes people just hang here out of convenience. Legit, people will have meals together at their desks, and sometimes have hours’ worth of The Office watch party (using their monitors or one of the moveable campus monitors) for leisure. Or, I’ve often found myself doing non-studio work at my desk as well because of the sort of factory-like, productive nature of our studio space, along with the fact that people are constantly moving in this space, and they can and will see whatever I do and they may or may not judge my actions. I often find difficulties focusing sometimes, so this productive environment really helps keep me motivated and productive! Many of my friends feel the same way, so they do the same.
As for workplace habits, I’d say I see most people having headphones in, either listening to music or podcasts or Netflix white-noise, or even talking on the phone/video-calling. I’m one of those people who really enjoy working alongside music, and feel less motivated without the audio stimulation, especially for model-making. Other classmates I’ve seen, and definitely been sort of admirable but also confused about how they can still craft meticulously alongside watching a show. Like, come on, are you not worried you’ll slice your finger, when you’re holding one side of the material down as you slice, but your eyes aren’t the material you’re cutting?! Trust me, I’ve seen countless accidents occur simply from fatigue at 2am where the knife slips and you slice off a part of your hand- which isn’t very fun! Or, other people who are able to craft while eating a  multiple-pieced snack, like wow, are you not worried your fingerprints are gonna make an appearance on that perfect model? Or, you feel indifferent about having a sticky project? Or even a project that smells like vinegar? Anyway, who am I to judge? I just find some of my peers’ habits interesting, and accept that we are all different in our habits and values.
Well, that is all for today!
I’d love to hear your views on my insights!
As usual, if you’re interested in seeing more of my photography and studio work, give me a follow on Instagram: @themichiganarchitect !
Ciao for now 🙂

Creating a Space to be Creative

You read that right people. Today we need to delve into the topic of creating a space that is worthy of your presence and helpful in getting your creative juices flowing. It’s all about the vibes that you enjoy and the kind that gets you thinking about being productive.

Let’s talk solely about bedrooms, dorm-rooms, whatever place you may sleep, eat, and attempt to do homework in. This is an essential place in which you should find yourself being productive in. I know some people love going to the library to study or a coffee shop, but let me tell you, when that winter storm hits the streets (and it will), your thoughts on leaving wherever you reside will be nonexistent. Therefore, having your room be as helpful to your life as possible is so very important.

1. Make it comfy

Feather down pillows, 400-thread-count Egyptian cotton sheets, down comforter. Aaahhh.

Comfort is always key. Your bed, should be a mountain of fluffy clouds that, when jumped in, you lose all memory of what it is you need to be doing. Therefore, when you have your bed piled perfectly high with the right amount of comforters and pillows, stay far, far away from it. I mean it. Find a stool, a chair, a desk, or anything that you can sit on that’s sturdy and is forcing you to sit upright in. This is important for when you are doing your work. You can work endlessly on projects, schoolwork, writing, drawing, or whatever else you need to get done, and when you will undoubtedly reach your wit’s end, cannon ball right into that mass of comfort.

2. Have Pictures/Words that You Enjoy Surrounding You

Robert Rauschenberg// This image interestingly combines text and image in the form of the text being part of the image : The stop signs, and traffic signs. This is a rather easy way to combine text and image, and is effective because people will recognise it straight away.

What I mean by this is: have an image from your favorite editorial posted on your wall, a quote from a favorite movie taped to your desk, or a painting that you’ve created hanging above your bed. Surrounding your space with images or words that inspire you is a great way to visually stimulate your mind. They indicate moments of creativity from others, or yourself, and staying inspired is always important in any creative space.

3. Don’t Underestimate Lighting

This is actually pretty cool because it counts as wall art but I love the soft glow that you end up with for the light!

Lighting can make or break a work environment. From dim and super bright, to yellow and blue, lighting is an important way to determine a space’s ambiance. Yes, you may need to see when you do your work, but can you relax your mind enough to think clearly with that bright yellow light shining? That is the question. Have varying lighting options so you can choose what kind of creative space you may want to work in.

These are just a few tips that have helped me decorate my bedroom, and create a creative space in which I can be productive in. Of course, it is all about what you enjoy surrounding you and inspiring you, and I encourage everyone to take into consideration how the environment you reside in can make or break your creativity.

 

47 Rockets, 2 Kites, and a Chair

In the days before Sputnik, Wan-Hu, a Chinese official, strapped 47 rockets and two kites to a chair in an attempt to launch himself into space. When the smoke cleared, Wan-Hu was gone. There was no sign of his chair. No sign of his kites. No sign of the rockets other than some spilled gunpowder and burn marks on the ground. Wan-Hu left the Earth, and he was never seen again. Whether he left the Earth together or in pieces, one cannot say, but the man disappeared that night.

The hopeful and imaginative mind, untarnished by science, would believe Wan-Hu’s rocketry carried him into space. The combined force of 47 rockets accelerated him out the atmosphere and into the ether beside the moon. Perhaps the force had been so strong that he was thrust into the sky at the speed of light. Sent careening out of our solar system to explore the rest of the galaxy. Zooming by moons and planets and stars, his chair a galactic throne and he the celestial ruler. As he moved at the speed of light, delving into our photograph of space that once was, Wan-Hu left the Earth to age in his wake. Centuries passed as he traveled, untouched by time, seeing all the things our telescopes have yet to detect. Watching stars burst, planets form. Dark matter become colorful. Asteroids collaborate to form moons. Civilizations grow and crumble and rise again. Representing Earth as he comes into contact with other life. Becoming allies, forming friendships. Experiencing everything that our childhood minds dreamed and things our adult minds refused to believe. A being of the fourth dimension, Wan-Hu and his 47 rockets escaped our rock. While we look up to the stars and curse at our stagnant state, perhaps we may see him, floating on his kites beside Vanguard 1 and our cluster of satellites. We in our rocking chairs, he in his rocket chair.

But we cannot believe it. Sure, Wan-Hu left the Earth. He disappeared, not because he escaped into space, but because he was scattered into ten million pieces. Our crutch of science tells us he did not escape our galaxy. Our years of advanced arithmetic disprove the fantastic simplicity of 47 rockets, 2 kites, and a chair as means of exploring space. Our investment in the invention of science refuses to believe that Wan-Hu was successful. The second brains in our pockets can prove it. We believe it. We do not wonder about Wan-Hu because our smart phones tell us the truth. Science seeks to understand wonder, but the act of pursuing it can turn Wan-Hu to dust.

Imagination can put Wan-Hu into space.