Industrious Illustrating #14 – Oil Painting

Mini Con Ja Nai last Saturday was really great! I enjoyed talking to the people who came by and selling art prints. That just leaves Youmacon on November 4-6 next month before I will likely take a break for a few months from selling my art at conventions.

I haven’t had a lot of time for making observational work or studying new techniques recently between being a full-time student, being the lead artist on an indie game project, and working on expanding my illustration portfolio to sell at conventions, but I have been trying to proactively learn from school assignments to hone my craft and develop my artistic techniques. For one thing, I’m currently taking Intro to Painting (ARTDES 250) at Stamps, which teaches oil painting techniques that I could also apply to digital painting one day.

A recent assignment was to paint whatever we see on the ceiling and use warm/cool colors to make objects seem closer or further away, respectively. I ended up painting a ceiling vent in front of some windows and exaggerated the colors a little while also letting some of the orange underpainting show through for a warm, almost sunset-like look.

My next assignment is to paint a fruit still life using scumbling, which is applying a layer of dry opaque paint over a previous layer of paint so that both colors are visible on the canvas. I only have the yellow underpainting laid down at the moment, but the still life should start to look more distinct once I start to apply further layers of color.

While the specific application and look of digital paint is usually pretty different from analog/real-life oil paint, I could still try to replicate these techniques using oil paint-esque brushes in a digital painting for a similar effect. Stay tuned to see if you can identify exposed underpainting or scumbling in any of my future paintings!

Moving Life Painting

We’ve all seen still life painting.  Often involving fruit or oysters that look like this….

Or this…

But unlike real fruit on real tables that you can pick up and squeeze with your hands and taste with your tongue, still life rarely has any life to it.  At least, this was what I thought about still life until I came across artist Scott Gardner.

Using a new technology called ‘Unity 3D’ Gardner has mounted television screens that bring movement to still life.  The screen of his art is highly sensitive to movement and the objects inside it move around according to how the frame moves.  Spectators are encouraged to interact with his art.  Touch it, tilt it, move it around to their heart’s content.  And also to watch with wonder as the life inside the frame moves along with the viewer.

The video on Gardner’s website shows how the pieces in his art move around.  Admittedly, it’s not completely true to life.  No matter how many times you spin the frame, the vase never breaks and the fruit never explode.  But until everyone gets their Hogwart’s acceptance letter and can be enrolled in a school where the paintings not only have life to them, but opinions as well, I think Gardner’s art is the closest thing we’ve got.

And as technology develops, maybe in time artistic innovators like Gardner will bring ‘life’ to more than just still life.  Ever wondered what the Mona Lisa was so smirky about?  What if you were able to poke one of those cubby cherubs and see it react? I don’t know what classicists or modernists would say, but I think an exhibition of reactive art would be an exhibition the whole family would enjoy.  And might be a popular gateway into earlier traditions of high art.