Rainbow Capitalism

Rainbow capitalism, also called pink capitalism or gay capitalism, is when businesses use the LGBTQ movement in order to profit off it. The rainbow color scheme and themes of queerness are incorporated in marketing materials or products. Although rainbow capitalism in theory sounds empowering and supportive within the new era stepping closer to equality, it may also be detrimental to the true goals of the movement by falsely marketing companies as LGBTQ friendly, capitalizing off of consumers.

Having attended my first two Pride events in New York City, I could definitely view the difference between now and then. Pride marches started in the 1970s after the Stonewall Riots, in which LGBTQ patrons at the Stonewall Inn protested constant mistreatment by police. Now, Pride has become more of a consumerist event that overtakes spaces meant for queer people. Corporate sponsors boast large floats of celebrities and rainbow merchandise, effectively erasing queer oppression and turning Pride into a party that ignores current issues of homophobia. While Pride can and should be celebratory for LGBTQ people, corporations have recognized the wave of allyship that is profitable and exploitable for their own purposes.

Part of the reason why rainbow capitalism has been celebrated is because it’s easy–it’s much easier to slap a rainbow sticker on your laptop than it is to address institutional problems such as the exclusion of of queer people of color from LGBTQ spaces or homeless queer youth.

So the next time Pride rolls around, I urge you to think about and educate yourself on the history of Pride and what it means. Are you supporting LGTBQ people and spaces? If you’re an ally, are you helping queer people or treating Pride just as a party? Wear your rainbows proudly, but always remember the fight for equality.

Why Basketball is the Universal Sport

If you ask someone what the most popular sport is, chances are they will answer with soccer. For team sports, enrollment in soccer, lacrosse, basketball, and rugby are growing more and more widespread. However, I truly believe that basketball is for everyone.

Invented by James Naismith in 1891, basketball continues to be dominant as a major sport for both amateurs and professional athletes. The fast-paced, exhilarating game can be played by almost anyone–people who use wheelchairs, tall, short, young, old, any gender. All you need is a hoop of some kind and a ball; this simple equipment closes the gap for people of different socioeconomic statuses, unlike sports which require tons of expensive gear like skiing or hockey. Also, the fundamentals of basketball are easier to learn than those in other sports: you need to dribble, pass, and shoot, but can go on much farther and improve upon your skills from there. The rules are relatively simple, and games can be adapted for different people. Of course, not everyone is going to like basketball, but overall basketball is an accessible and enjoyable sport.

Another interesting point about basketball is that it is linked to contemporary culture, particularly streetwear style. They are closely connected and play off each other. From the famous Jordans that catalyzed the sneakerhead movement to a constantly-changing collection of fashion collaborations, basketball enriches global style. Furthermore, basketball has influenced many conversations about race and equality throughout history. Basketball is more than a sport; it allows people to connect with one another and others around the world, get active, and learn how to impact one’s community.

To get inspired, check out these awesome basketball courts from @HypeCourts:

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Jessie Reyez: The Strong Voice We Didn’t Know We Need.

If you are a casual listener to pop radio you have probably heard the song Figures. However, do you know the artist behind the smooth and powerful melody, Jessie Reyez? This brilliant and blazing woman was born and raised in Ontario, Canada, by Columbian parents. Her father taught her how to play guitar at a young age and in high school she started writing songs. When she was seventeen, Jessie endured her first real breakup and poured her emotions into her writing and music. She has written about the pain and hurt she experienced and how she wants to reciprocate it but doesn’t. Although never going through a harsh breakup, listening to these songs makes me feel like I have. The vibe and mood combined with her well written lyrics allows me to connect with her experience and connect it to myself. In addition in some of her songs, one can see her strong personality, and how she is an individual who cuts negativity out of her life and carves her own path.

Reyez has a raspy voice that can change from a low smooth sound to a soulful high pitched ring. Some may find her voice annoying and others will listen and hear an exposed and organic god-like sound. Her songs are poetic and her decisions of where she sings low to high makes each song powerful. In the song Apple Juice, the rhythm she created and the words she sings makes you want to sway and shout out the lyrics. Jessie Reyez’s songs can vibrate through your whole body and her words make you feel understood and connected. Her recent EP release, Being Human In Public, is a raw depiction of her emotions. I 10/10 would recommend listening to it in a car with the windows down and driving over a bridge. Shouting the words is also encouraged.

Jessie Reyez creatively writes her songs while staying true to herself. She adds artistic flare with her unique voice but also by incorporating her true feelings although they might be judged. In addition, on her recent EP album, she has a song Sola, sung and written in Spanish. Although in another language, an individual can easily infer it is Reyez by not only the sound but her style and message. I cannot speak or understand Spanish but Sola is one of my favorite songs by her. Her emotion and melody make me feel pain and love. I like to close my eyes and sway when listening to the soft and bold piece.

Reyez has attracted fans internationally through her feminine bops and powerful responses about life. She has been nominated for many best new artist of the year awards and has won the Juno Award for Breakthrough Artist. Her followers have escalated to one million on instagram in the past year, and she will continue to grow with special character.

Reflecting on Musical Women on International Women’s Day

In honor of International Women’s Day, I am reflecting on the women in my life who have guided me through musical journey.

First and foremost is my mother. Whenever I tell people that I am a musician, they’ll say something like “I used to play piano but I hated practicing and quit. I wish I had kept going!” To that I say, “me too!” I wanted to quit basically every single day when I was in middle school. If it wasn’t for my mom forcing me to practice, I definitely would have quit. She drove me to all of my lessons and rehearsals, paid for instruments, summer camps, and private lessons, and she had to endure ten years of hearing me squeak away on violin and viola. My dad was also instrumental (ha) in my musical development, but it’s International Women’s Day so the man can wait.

Two out of the three main viola teachers in my life have been women. Thanks to them, I have glowing examples of what it looks like to be a professional woman in music. Through their guidance and cautionary tales, I have become a strong musician and an ally to other women and girls in the industry. With their help I have been able to heal the injuries I sustained from playing. I have always had the freedom to show emotion during my lessons, and even cry if I had to. Learning to play an instrument puts you in a vulnerable position and some days you can’t just leave your feelings at the door. I am forever grateful for their patience and skill.

My best friends are female musicians. We didn’t all become friends in the same place– some at music camp, some at music school, some in high school. We’re spread out across the globe. Each one has played music with me. Each one has provided me with moral support after a bad audition or in the midst of an identity crisis. Every day I feel like I’m talking with one of them about the screwed-up climate of the music world: what we want to change and how we’ll change it. We also help eachother forget about music when things get too tough; remind ourselves of the value in living a balanced life. They inspire me to be a better musician and person, and I wouldn’t be myself without them.

vegetable soup and the game telephone

It is day 2 of break. I am currently at my grandparents, listening to Italian music(on Alexa because they are cool), and watching my grandma cook me vegan options for dinner(vegetable soup). We talk about things going on and every so often she will say things like, “You can’t have ham either right?”, “No milk?! What do you drink or even eat then? Almond milk, that’s disgusting.”, or “Can you have cheese? Oh my goodness what am I going to give you for lunch then?” I am sitting at a nearby table as we talk, typing away on my computer about things on my mind.

My post(ramble) today is about one of the subjects on my mind right now, history. Enjoy!

History is one of the most significant topics to be educated about and don’t get me wrong I love history but it is without a doubt one of the weirdest concepts to me. We need to know about our pasts in order to learn how to create a better future but I am always curious if what we are taught about history is the truth.

As a kid, everyone plays the game telephone. Someone starts off with a saying and everyone whispers into the next person’s ear what they heard. By the end something like “chicken noodle soup” can turn into “fruit of the loom underwear”. I used to love it because I enjoyed how each time the original saying got altered in some sort of way. With history books, media, and news, I am constantly interested if it is created from a continuous game of telephone and if the only people who can seek the actual truth are the individuals who were involved in the event.

In a conversation with my uncle yesterday, he began to ask if I knew that before the horrible Transatlantic Trade occurred, that poor people from multiple countries were the original individuals to first work in the colonies. I told him I had known that and he told me he had just discovered this. This discussion began me going off into a spiral of what I have and have not been taught. All the little events or even secrets not contained in documents, on file, and unable to be taught to anyone. Or the stories recently discovered, taught to the younger generation but not to me. My deepest concerns and curiosities are about all of the things the first Americans did on the colonies and what people have done to less evolved cultures that I don’t know about or will never know about.

A couple of weeks ago in my Art History lecture, my professor explained how in many famous artworks cultural appropriation can be found. In Pablo Picasso’s, Les Demoiselles d’Avignon, one can easily see the five nude prostitutes he had painted but if you were to look at their faces what would it remind you of? We were told that Picasso studied many African masks and he had been inspired by them to paint these women with faces like the masks. In previous art history classes I was taught that his form of cubism created these faces. This was the first time I was educated about how he had taken someone else’s culture and profited off of it by making it look like his own style. I wondered how many other artists had done this and how we could ever find out if we didn’t have a direct link.

I would count myself as a student or rookie in learning and talking about stolen cultural identity and other topics relating to examining history. I believe no one really questions our history but rather if they do in conversation, they shove it away quickly because it is confusing. I have done this multiple times because looking at history under a lens is difficult and sometimes leaves me with unanswered questions. I think in the future many should question what is truthful and try to gather all the information we have to connect the dots of our past. Although I don’t know much about this topic as you can probably tell, this doesn’t stop me from being interested about it and branching off into thought about it, even when my grandma is cooking me soup.

The Chopsticks Project

For a my first Sophomore Studio art project, I attempted to address my identity. I was born and raised in the United States, but a lot of my life has been influenced by my parents’ culture. At a young age, both my mother and father immigrated to American from Vietnam and haven’t been back since. In my generation, I believe it is common for young Asian Americans to feel uneasy in their cultural identity–we seem to be stuck between two worlds: Asian and American. We don’t always feel like we quite fit in, or maybe we can’t speak our own language, resulting in tension and shame. I created these engraved chopsticks and modern paper packaging to try to address these aspects of the Asian American experience. Several pairs focus on the model minority stereotype, and depict sayings that people say to Asian Americans, while the “Asian Disappointment” version detail phrases that parents may say to their children. I aimed to foster a sense of unity among Asian Americans and give an opportunity to reflect on and laugh at stereotypes. Hope you enjoy!