Art Biz with Liz: A Final Semester and Farewell

I received the email from Joe on April 7th: “Wednesday, May 4th will be the official LAST DAY to post your column!”

No biggie, I thought at the time. May 4th was still nearly a month away. I had multiple weeks to write more posts about the arts before I graduated and went on my merry way. But life grew too busy. Finals season began at that same time future plans were being made, and there was no time to catch my breath before the series of graduation ceremonies hit. Before I knew it, I landed here, on May 4th, to say my goodbye to arts, ink. and a huge part of my life at Michigan.

I have a million things to say and one post to articulate them. Part of me isn’t ready to post this piece, either, because it’s the last one. The very end. When I told people about my writing endeavors here at the university, I used to refer to my writings with arts, ink. as “silly little blog posts about art,” which were in stark contrast to the seriousness of academic writing or my other work at the Michigan Daily and in literary magazines. But in a way, as discussed in a previous post, my work at arts, ink. has also been a time capsule. I didn’t always dedicate the amount of time and energy to them as I wish I had, but it’s neat to have been able to churn out weekly writings across the span of four school years. Looking back, it’s also been nice to become involved with the arts in numerous ways. I’ll spare you from the extensive trip down memory lane, but I’ll close out with some of the artistic feats I’ve been involved with this past semester.

Part I: Writing

I’ve always loved to write, but as time went on, I found it increasingly difficult to make myself sit down and write on my own accord. The University of Michigan has been a blessing in its plethora of opportunities in this sense, but as a creative writing & literature major, I found myself lacking in experience compared to my peers. I used to think it was a blessing to be “well-rounded” in interests and pursuits, but this proved to be challenging once I had to pick a major (and thus limit myself in what I learned from that point on). I can say, however, that as much as I’ve had doubts about my majors, my abilities, and myself throughout college, I’m proud of the work I’ve created in regard to my two senior honors theses, which earned high honors and highest honors.

If you’ve been reading my posts throughout the past year, you may have noticed my (potentially annoying) mentioning of my honors theses. This was never meant to be a brag or complaint but rather commentary on something that took up much of my time and focus the past year and a half. People often told me I was crazy for writing two theses (one for each of my majors), but doing so seemed like the natural culmination of my studies and time at U-M. They allowed me to challenge myself while narrowing in on specific subjects of interest. For my creative writing & literature major, specifically, I wanted to challenge myself in writing a longer piece of work. The disciplined yet supportive structure of writing an honors thesis allowed me to do so, and I ended up with a longer novella at 135 pages.

Since these posts are all about the arts, I’ll focus on my creative writing thesis. When I think about the sort of person I wanted to connect to my writing, why the story is important, and what I hoped people would get out of it, there are several things that came to mind. My novella is a coming-of-age story centered on complicated family dynamics, but it also speaks to culture and identity. The main character, Christi, is a mixed Chinese-Filipino American whose father is white and mother is an immigrant from the Philippines, which resembles my situation. Growing up, I loved the young adult genre, but I didn’t find many stories that included the main character with an identity like mine. There are many layers to being a mixed Asian American, and when Christi visits her mother’s homeland, she is challenged with all sorts of inner turmoil surrounding identity and culture that accompany the central storyline. Christi’s perspective when she visits the Philippines is often ignorant yet candid. The teenage viewpoint offers an interesting means to express culture shock and family conflict. Overall, I didn’t want to write a story simply for representation, but I am hoping that setting the story in the Philippines yet from the point of view of a young American can engage readers with a different place/culture in a way that’s accessible and relatable.

As previously mentioned, I’m interested in a variety of subjects, which is great in granting me different lenses, perspectives, and experiences to inform my writing. I’ll admit, however, that being stretched out across different academic disciplines means I don’t practice writing nearly as much as I should or as many of my peers do. I’ve struggled with writer’s block and self-discipline in the past, so it was interesting to approach a project with such high expectations for myself despite a limited timeframe. I consistently produced 5-10 pages of new content each week for a semester and a half, which I’ve never been able to do before. There was a lot of crappy writing, and much of it ended up being cut, but simply getting content on the page was the first step toward getting a whole draft together. In the past, I would always get bogged down with edits, whereas with my thesis I didn’t really have that option if I wanted to finish it in time. That would be my advice to others wanting to write a novella/novel – write! You can get trapped by constantly editing/revising, but you can always do that after you have more content to work on. There’s still a lot of work to be done on it, but it would be amazing if I could revise my thesis and turn it into a novel one day. Books have always served as an escape for me, and I hope that one day, my writing can have a positive impact on someone else.

Part II: Music

On the morning of April 30th, I strolled past the hoard of graduates lined up outside the Big House until I reached the designated “Glee Club Check-In” sign. Once inside Michigan Stadium, a select number of members from the Men’s and Women’s Glee Clubs stood in the center of the field on a circular stage. Underneath a cloudy sky, our fingertips numbed in the cold as we waited for the agonizing ten minutes to pass before the opening procession and cue to sing occurred. As dreary as the atmosphere seemed, however, I’d do anything to go back in time to experience what came next.

Graduating was cool and all, but singing “The Star Spangled Banner” in the Big House and hearing the applause from thousands of people was magical. I already miss the “sisterhood” of “song and strength” I was once skeptical of, but I hope to always cherish the feelings of excitement and gratitude I had on graduation day. These emotions encompass how I feel about my time at U-M in general. I could make this post even longer by discussing the bell towers or concerts that have also contributed to my music experience here at the university, but I’ll leave it at that.

Part III: Sculpture

Even though my academic and career goals shifted away from the arts, I always made it a point to still keep them in my life. I never took fewer than 16 credits in a given semester, yet I still couldn’t take all the classes I wanted to or found interesting. There just wasn’t the time. I knew from the very start, however, that I wanted to take some sort of visual arts class during my senior year. I had already taken drama courses and music courses as electives, but I really wanted to learn more about painting or sculpture.

I am so, so happy I did. RCARTS 270 with Raymond Wetzel was one of the best classes I took at U-M. I learned a lot about working with different materials and tools while having tons of fun in the process (wow, homework in a college class can be enjoyable!). I worked with materials such as wood, cement, and clay to create a variety of mixed-media art works, and I learned different techniques for casting, constructing, and assembling sculptures. I’ll end this chaotic post with an equally jumbled collage of images featuring art pieces both in progress and completed. Oh, and I’ll throw in my artsy graduation cap, because why not.

  

 

   

   

 

 

Art Biz with Liz – Singing One Last Time

Hello, readers! I want to start by apologizing for my brief hiatus from arts, ink. due to some personal issues. I am back and active for my last month at Michigan. Speaking of it being my final month, there are going to be a lot of “lasts” coming up, including my last UM Women’s Glee Club (WGC) concert. This blog post includes the typical advertisement that I normally provide for the upcoming concert, but I am more so going to focus on how the club, traditional UM songs, and music overall have had a positive impact on my time at the university.

May be an image of text that says 'The University of Michigan Women's Glee Club Presents The Sound of All of us Echoes from the past, Voices for the future Conducted by Dr. Julie Skadsem Spring Concert April 2, 2022 Hill Auditorium'

I don’t think it will hit me until after the concert that this will be the last time I get to sing “The University” or “Varsity/Victors” on stage. I used to joke that you weren’t a real Michigan fan if all you knew was part of “The Victors,” which is just a snippet of the extensive library of traditional UM songs. Although nearly everyone on campus is familiar with the main chorus of “The Victors,” I’d argue that many people do not know the words to the beginning of the song (everything before “Hail! to the victors valiant”), which I have held close to my heart since learning them through the UM Women’s Glee Club. At the end of the day, it doesn’t matter whether you know these songs or not, but they have helped generate a sense of camaraderie and school spirit I might not have had otherwise.

I credit music and the UM Women’s Glee Club for making me feel more connected to the university. Not only was I able to find another community and make new friends, but I could continue to engage with the arts even if they weren’t my main academic focus. Learning “Blues” pieces, as mentioned in previous posts, also helped me feel connected to school spirit in a unique way. At sports games, I always felt immense school spirit during chants and songs. Singing songs such as “Go Blue” sung in SSAA by Phillip A. Duey (not to be confused with the short “Let’s Go Blue” commonly played at sports games) and “I Want to Go Back to Michigan” elicits even stronger feelings of loyalty and enthusiasm for my school and the memories I’ve made here.

There is always the beautiful and traditional “Yellow and Blue,” but I can already tell that the UM WGC’s arrangement of “College Days” by Donald A. Kahn and Earl V. Moore will be the song that makes me teary-eyed on stage. If you haven’t heard it before, check out the first few lyrics:

I’ll ne’re forget my college days

Those dear, sincere old college days

I’ll ne’re forget my Michigan

‘Twas there long friendships first began

I’m not going to pretend to be the biggest Michigan fan. I don’t know the names of athletes, I can’t promise I’ll be back for future football games (as much as I loved them as a student), and I owe too much in student loans to be comfortable with paying a fortune on more UM gear at the MDen. But the UM songs I’ve learned as a WGC member spur fond, nostalgic feelings, and I haven’t even graduated yet. I’m not surprised that music has that effect.

Our senior song this year, “In My Life” by The Beatles, also provokes strong feelings. To me, the song is about both the past and the present. I mean, take a look at these lyrics:

Though I know I’ll never lose affection

For people and things that went before

I know I’ll often stop and think about them

In my life, I love you more

There are certainly feelings of nostalgia and appreciation for the past, which is bittersweet as the seniors move on from college. But there is also great hope for the present and the future in the way the lyrics compare a current love to the things the singer cared about deeply before. In applying the message to our own lives, there is immense admiration for the past (i.e., college), but there are even greater things to come (i.e., our futures). I like how this theme also relates to the overall subject of the concert, which is “Echoes from the past, Voices for the future.”

UM WGC is one thing I will be sad to say goodbye to, but I am thankful for all the memories and music. I am looking forward to this Saturday and singing in Hill Auditorium one last time. :’)

If you’re interested in attending the concert, click here!

Art Biz with Liz: Family, Friendship, and The Arts

The past two years have been filled with love and loss among countless others emotions and events. There’s no doubt that the COVID-19 pandemic has been a time of trial and tribulation. Throughout the isolation, the arts have been an escape, even if I took a break from participating in the performing arts myself. But as much as I have always loved the arts, they wouldn’t be as monumental in my life without the influence of other people.

Over the Thanksgiving holiday, I took some time to reflect about where I am in life and what I am grateful for. Looking back at the recent U-M Women’s Glee concert, I considered how great it felt to be there in person and have a live audience, even if the evening did include masks. Yet, despite reminiscing over the semester’s music-making and energy from the crowd, I couldn’t help but feel a pang in my chest when I remembered one person wasn’t there.

My boyfriend, grandmother, father, and I standing outside the Keene Theater after an RC Singers concert.

My grandmother was always a huge part of my life. She lived less than a ten-minute drive away and came over several times a week. Among the million memories or character traits I could share, when it came to the arts, she was my biggest support system. She was at every choir concert, theatre performance, and piano recital. In fact, I don’t know if I would have continued taking piano lessons throughout my childhood without her. Without fail, she always asked me to “play her a song” when she visited. I did so, though oftentimes more begrudgingly than not (I used to hate playing for other people, even my own loved ones).

When it came to college and I no longer kept up with the piano, my grandmother came to my choral performances. Most notably, she came to my RC Singers and U-M Women’s Glee Club concerts. Below is a picture of me and my grandmother after a glee concert, the last one “pre-COVID.”

While I could give a lot of credit to personal interest, my participation in the arts wouldn’t be what it is without the support of loved ones behind me. I’m thankful for all the people who encourage me in my writing, music-making, or other art endeavors. I thank my parents for giving me the opportunity to take piano lessons, coming to my choir concerts, and even enrolling me in ballet, even if I only did it for one year when I was eight. I thank my sister for giving me a paint set for Christmas, taking me to concerts/musicals, and driving from Ohio just to see my performances. I thank my family abroad for always reading my writing and sharing their thoughts, even if they are half a world away.

My family members and I following the U-M Women’s Glee concert on 11/20

As much as I disliked playing the piano for other people when I was a child, the support of my parents and grandmother at recitals always meant the world to me. These days, I am thankful for the support of other loved ones as well, like friends, cousins, aunts, and uncles. While my grandmother might not have been in the audience at my last glee concert, these people were, along with my parents, siblings, and adorable three-year-old nephew. I’m also grateful to all the people who couldn’t be at Hill Auditorium but cheered me on from home or in their own way.

Some friends who came to support me and Fiona at our glee concert on 11/20

 

It’s been over a year since I lost my grandmother to COVID-19. The dreams, grief, and guilt still haven’t gone away. There are so many things I wish I could say, sing, or play for her, but I’ll continue to honor her memory in my heart as I participate in the arts, just as she would’ve wanted me to. And although Grandma isn’t around anymore, I have a lot of friends and family members who continue to support me. In a way, her love for me and the arts still shines through. And that’s something to be grateful for.

My First Semester in Women’s Glee Club

This past Sunday on November 17th, The University of Michigan Women’s Glee Club (WGC) presented “Be the Light Home,” a fall concert surrounding themes of compassion and circling back home. The community-driven concert was a great finish to my first semester in Women’s Glee Club. As such, I thought this week’s post would be a great opportunity to reflect on my experiences in the group so far.

Auditioning for the ensemble was initially nerve-wracking, but I am so, so glad I did. Since I was a child I have enjoyed singing, whether on my own or in church choirs. Throughout middle and high school I sang in my school’s choirs, my favorite being my high school’s smaller, auditioned choir. Before this year, however, I had never sang in an all-girls choir. While I had been a Soprano 2 for certain songs before, I had always been in an SATB choir comprised of soprano, alto, tenor, and bass vocal parts. Transitioning to SSAA—which has two distinct soprano sections and two distinct alto sections—was different but fun.

Founded in 1893, the Women’s Glee Club has a long, rich history, one that has impacted countless members of the university community. With hundreds of alumnae and around 80 current members, I’m ecstatic to have joined the ranks of such talented women. Women’s Glee Club features students with a variety of majors and interests, from voice performance to molecular biology. One of the great things about Women’s Glee Club is that it allows students to continue to sing in college while studying as a non-music major. Students from all backgrounds have the opportunity to sing in a collegiate choir through WGC, something I’ve enjoyed since being a member of RC Singers last year.

Women’s Glee Club is also a wonderful place to meet new people. I’ll admit, when I first heard the motto “Sisterhood, Song, and Strength,” I was a little skeptical. I was baffled by the concept of “Bigs/Littles” and “points.” Getting a sorority-esque vibe, I was perplexed by how a choir, especially one structured for academic credit, could achieve the same level of networking and bonding as a sorority or other organizations; however, I understood quickly WGC has so many events and aspects outside of the typical rehearsal. I’ve particularly enjoyed “Blues,” where WGC members go from tailgate to tailgate on game days and sing school spirit songs (Yellow and Blue, The Victors, etc.).

Overall, I’ve enjoyed my time in Women’s Glee Club so far and look forward to next semester!

 

Link to the official website for The University of Michigan Women’s Glee Club

Image design by Anna Sharp Chewter