That Time of the Year

There is something about the sun going down so early – around this time of the year – that makes all the pressures of unfinished assignments all the more feverish. This eventuality of shorter days never crosses my mind until I finally notice that I have already fallen into a tired and somber attitude.
How easy it is to be ignorantly believing that everything is together and then quickly disintegrating into blah blah attitudes that bear no weight to anything, and in that absence of anything concrete, how disparate everything can be should you not tie each task, emotion, or thought with something that has weight and a semblance of togetherness.
By no means am I saying I sit with hopeless emptiness on my couch in my apartment as I write this blog post. No, this isn’t meant to sound depressing at all. The only reason why I remain happy is because I have to be. Also, listening to Feist’s Mushaboom helps a lot, but not really at the same time. Sometimes, if the moment is just not right, a song as happy as that makes me more tired and sad than I was before.
Another thing that helps, is writing, as much as I can. And when I am not typing or writing longhand on sheets of paper that I find strewn across my desk or in my little black notebook, I am thinking about writing. However, more broadly speaking, I keep thinking about English as an art form.
I guess what I am trying to say, is that keeping my mind occupied is a greater force to fend off the lulls of energy during this time of the year in comparison to delusional fantasies of happiness that are brought on by listening to Mushaboom.
In fear of this article becoming needlessly and annoyingly pretentious, because I am sincerely lacking material today for this blog post, I will cut this article short. I would rather not blab on about nonsense. For God’s sake, parts of this post are already nonsense.
Maybe I should just switch up my song choice, because I can’t be thinking about writing all the time, I got other stuff on my mind too.
Maybe I will listen to the It Ain’t Me Baby or some song by Haim or maybe…oh oh! I got it! Changes by Bowie.

Why I’m an English Major

In terms of my blog, this will probably be my shortest post to date (and possibly ever). While my Wednesdays are usually free, I have a paper due tonight that I’m very concerned about.

And I’m not concerned because I haven’t started or I don’t know what I’m writing – I’m concerned because this topic is important to me and I don’t want to screw it up. While I have written papers like this before, this is the first time in a while where this has happened to me. Last night I got to page 6 of my assigned 4 page essay – I have a lot to say about this particular poem.

Thankfully my professor said it’s okay if you go over the page count – while it gives him more to read, he says he’ll enjoy it if you’re “in the zone.” And what a zone I’m in.

I don’t know why, but doing justice to this beautiful, tragic poem is important to me. Written by W. B. Yeats, “No Second Troy” is a 10 line poem, yet its complexity compels me to tell its story, about this woman that Yeats believes is Helen of Troy reincarnated. I feel as though if I don’t write this paper to the best of my ability, I will let Yeats down. He gave me this wonderful work of art for me to mess with, to twist and to mold into an argument about why anyone should care about a 10 line poem, and I have to return the favor and write that argument in an eloquent and beautiful way.

This is why I’m an English major. It’s not that I like to read, it’s not that I like to write. It’s not that my mind automatically turns to analysis of character and syntax when I read a work such as this one. It’s the joy I get when I can finally tease apart the complexities of a piece and then reconstruct it into my own argument. Even though the poem was Yeats’, the argument is mine. And that joy is something I might have lost, writing paper after paper. Sure, I don’t often come across a subject I’m this passionate about. But as I write more papers than I ever have this year, I hope that I inject that same amount of passion into every one of them – and that my teacher can see that passion I have.

 

“No Second Troy”

from The Green Helmet and Other Poems, 1912

 

Why should I blame her that she filled my days

With misery, or that she would of late

Have taught to ignorant men most violent ways,

Or hurled the little streets upon the great.

Had they but courage equal to desire?

What could have made her peaceful with a mind

That nobleness made simple as a fire,

With beauty like a tightened bow, a kind

That is not natural in an age like this,

Being high and solitary and most stern?

Why, what could she have done, being what she is?

Was there another Troy for her to burn?

Go Away, I’m Trying To Write Here

I don’t think I’ve encountered anything more frustrating than writer’s block. I mean, it’s called writer’s block for a reason. But for me, writer’s block is so much more than not being able to write.

You see, I don’t get normal writer’s block. It’s not like I just sit in front of a computer for an hour trying to think of the next thing Matt from Story C would say to his best friend John. If it were that simple, I would have done NaNoWriMo every year and just put out crappy stories that no one really cares about because they’re so horrible. I mean, that is what NaNoWriMo is about.

For me, writer’s block is so much more personal. I don’t think this applies to most people because I don’t think most writers approach their writing like I do (but I could be wrong). You see, when I get writer’s block, it’s not usually about not being able to write. I’m always able to write. I’m always able to put words on a page and read them and make them sound grammatically correct. But being able to put them down well, being able to enchant people with just words on a page, and being able to say yes I made this and be proud of it terrifies me.

Because for me, writing isn’t just something I enjoy. Sure, it may have started out that way, but now that I’m in 323, now that I’m telling people I’m going to be a CW Concentrator (different than a major people), I feel the pressure not only to put out work but put out work that says I deserve to be a writer. If I don’t put out that work, I feel judged, vulnerable, like I’m just one baby step behind everyone else, like I should have learned how to use “sophisticated” instead of “fancy” already.

But most importantly, the reason why writer’s block is so frustrating, why I just want to scream and pound on the walls and rip ideas straight from my head is something so simple that most people probably don’t even realize it. I hate writer’s block because it blocks my primary form of creative expression. I don’t sing, I don’t have great fashion sense, I can’t dance to save my life, but writing, writing is mine. And when I’m so scared that I can’t even do that, can’t put my heart on a page and let the blood run down into ink, I’m angry.

But you know, that’s why I write for this blog. That’s why I’m taking three ULWR, why I push myself to take classes that I know are gonna be hard. This Shakespeare class isn’t kicking my butt for nothing. And every time I make a victory, get my grade back and get comments on it that say good job, the frustration is totally worth it.

Because for me, writer’s block pushes me to be better. And in return, I am better.

(this post brought to you by Jeannie’s anxiety over not posting on Wednesday)

(also maybe that paper on Yeats that’s due next week)

(probably more the Yeats paper)

Unrequited

He, the boy, was already out of his seat, ready for his regular after supper program. She, the mother, was, an embodiment of habit through and through, sitting across from the boy, staring at, what seemed to her, an insurmountable amount of food that she had hardly touched.
“I am tired mother,” he said in his deliberately quiet voice.
She didn’t even look up and as usual the boy took her silence to be a response, yet one not specified to be approving or disapproving, but merely just a response. Not for one second did the boy believe that he fooled his mother into thinking that he went to sleep so early every night. But what did it matter to him? Once his bedroom door was closed and locked and he was comfortably sitting on the edge of his bed, leaning his eye onto the eyepiece of the telescope, no other world existed, none other than the one across the street.
The telescope that had become the boy’s vessel to a new obsession was a gift. His father left it for him, a man that he had never seen. No photo’s existed, and according to his mother, no memories either. Pointed downwards, toward the illuminated street, the telescope sat facing the bedroom’s only window. The bedroom itself was newly furnished; a space filled with a new used mattress and broken clock along with no objects of childish desire. The street was lit, with a warm light that breached the bedroom’s windows with a yellow embrace but the sky above was dark, for the streetlights that flooded the city, also erased the stars that dotted the sky, leaving only the black dome that had neither beginning nor end.
Looking through the telescope, the boy could see the bar that tonight seemed to host an appropriate level of boisterous activity. The bouncer stood guard as always, both hands in his pockets and just like every other night, the bouncer was wearing his black t-shirt and black jeans. Despite the fact that the night air had become chillier recently, not one night passed where the boy was not able to see the tattoo on the bouncers left bicep. In lieu of this tattoo, the boy had given the bouncer the name Isabelle. He couldn’t figure why there was a heart around it however, who could love someone named Isabelle?

Isabelle’s gaze shifted, eyes staring to his left at an odd man who was walking up the street. His face was young yet he barely had a headful of gray hair that frizzled and shot in directions with an electric disorder more congruous with his youthful face. As the odd man stopped in front of the bar, a puzzled eyebrow rose on Isabelle’s face.
“Sorry, sir. But I can’t let you in. We are full tonight.”
The odd man straightened his hunched back like an animal rearing up to intimidate and replied with both words and gestures of rabid and primal fervor that seemed to extend from further beneath his disheveled exterior, “It’s cause of how I look, isn’t it you fucker?”
“Alright, keep walking. I don’t have to deal with shit like you.” As Isabelle finished what he was saying, the odd man leaned in close to his face, breathing heavily, releasing the scent of alcohol; something that Isabelle had already figured was churning inside the odd mans stomach. Somehow he knew, although its effects were lost in the maddening mystery the man’s face.
Then, with a sudden explosiveness, the odd man jabbed away with a knife, irregularly hitting home with blows that were as sporadic as a cornered animals swipes and claws. Grabbing whatever he could of his punctured torso, Isabelle fell onto the ground, kissing the street. The odd man scurried away.

The boy knew that Isabelle was not dead, he couldn’t be. His eye left the eyepiece and his body carried him onto the streets outside. Naked feet slapping on the asphalt, he hurried over to the motionless Isabelle. A pool of blood was already collecting beside and beneath the body, of what seemed to the boy now, that of a different man, one that he didn’t know. The blood was not bright red like his own when he had a nosebleed, instead, it was deep and thick, and flowing onto the black asphalt, it became even darker. The boy shook him but the man made no sound.
“Wake up. Wake up…”
The man slowly came to his senses and turned his head just enough to see the boy. But the man nothing. He only stared at the boy with eyes that spoke a language the boy had never heard but knew. The boy ran into the bar and said that the man out front was bleeding and the bartender ran out along with a couple of regulars. Before long, the red and blue flashers, atop the silent ambulance and two patrol cars, flooded the warm yellow lights.

Long before the cops and medics arrived however, the boy had already gone back inside his house and was now sitting across from his mother, whose eyes were devoid of presence, glazed with a disgusting nonchalance.
“What the fuck did you do? Those lights better not be for you.” She was smoking, puffing away, and the thick gray smoke that suffocated the air in the room made the boy choke and cough.
“Nothing. A man died.”
“Who? Do you know this person?”
The boy looked angrily at his mother and replied that he was just a man who worked at the bar. He noticed that she had eaten half of what was on her plate ad like usual; the rest was going into the trash again, buried by all the stubs and ash from the cigarettes she devoured.
Her eyes had a glint of interest that became more apparent as she worked her way through her next wave of smothering questions, “The bar? Was it the bouncer?”
However, the boy did not see his mother’s lively expressions. All he saw was smoke. His gaze shifted towards the tacky patterned kitchen floor tiles where the smoke did not reach. But the tiles themselves, transfused a sickening mood. His head began to spin. Beneath the painful white light from the fluorescent bulbs, rays that seemed to infectiously penetrate the clouds of smoke, the boy spaced out into a dizzying mental void. So he got up and ran back to his room and as he ran, he could hear his mother, but his coughing that rang in his ears muffled her words.
He locked the door and sat again on the edge of his bed, facing the telescope. He had puked before, but this vertigo, it only made him feel like he had to, the vomit never came. Fearful and frantic, the boy looked around for something, anything. Then, glaring at the telescope, he realized that he didn’t want anything in his vision except nothing. He can’t be dizzy if he sees nothing. With a weak push, the boy shoved aside the telescope and kneeled on the floor and rested his head on the windowsill and stared upwards, towards the blank black dome. And it was in this moment that he was reminded of the entirety of what he had seen that night. Wrapping his arms around himself, the boy began to cry, his watery eyes still fixed on the dome above, trying to look past the blurry black liquid in his eyes.
Still sitting in the kitchen, the mother listened to the second knock on her front door. She was already on her eighth cigarette. Another knock. They can wait. Instead of smoking it, she let the cigarette burn until it reached her fingers. She hardly endured the pain and let go quickly, letting the bud drop into the ashtray that had, by now, collected a substantial pile. When she finally opened the door, some of the smoke escaped. An expected face was before her and all she could say was nothing, she stood in silence in preparation for what was to come.

Obligatory Year-End Reflection Time

So I’m going to be completely honest and say that I don’t really have a topic in mind for this blog post. It’s probably my last of the year and I should probably make it something important or special but finals are creeping in and my imminent departure 1000 miles away from Michigan and away from all my friends here is looming ever closer. So not only do I have to study for finals and get ready to pack up all of my belongings, but also spend as much time as possible with the friends I won’t get to see for another three months.

But even with that, I need to write this post. All I can think about right now is the fact that I’m writing this right now. That I got this job, that someone liked my writing enough to hire me to write once a week. And the fact that I’ve done it, that I’ve kept up all last semester and this is even more astounding. The deadline helped, but more than that, it’s pushed me to try and be a better writer. My friends and family read these, as well as people I don’t know. I’ve gotten comments from people from Illinois and Hong Kong who liked my post.

At the beginning of the year when I had “orientation” for this job, the people who had done it in years past said they felt like their writing had gotten stronger, that the weekly posts were challenging and made them think about their writing. I believed them, but I also didn’t think it would apply to me. I thought I would have plenty to write about, so much to say about art and how it affects my life.

But it was harder than I thought. My arrogance caught up with me, and some weeks I found myself grasping at straws to fulfill my weekly requirement.

Honestly though, I wouldn’t trade this experience for anything in the world. I’m so excited for arts, ink next year and for all the things I’m going to write about. This year, writing for this blog, has been such a payoff. I still remember when I saw that Michigan Pops shared my article on their Facebook page, that the members had read it and that the concertmaster whom I had acknowledged liked the status, signifying that he possibly read my writing. To me, that is insane. When I got 6 comments on my post about Khalil Fong, I about cried from happiness – it was the most comments I’ve gotten on a post.

And even beyond this blog I’ve learned so much about art and how it affects my life. Art has always been something that I’ve loved and recognized as a big part of my life, but seeing it while living on a college campus has been absolutely mind blowing. I grew up as the outcast, as the one who liked the weird things, but here I feel like there’s a community that’s made for people just for me. It may not be as popular as football, but when I found out Musket’s performance of Rent was almost completely sold out I was astounded. I barely had half of the audience filled at my performances at my small private high school, and there were only parents and teachers at my chorus concerts. No one seemed to care about arts at home except for a few of my friends, and yet here I could barely get a ticket to see a musical. The fact that the arts community here is so strong, and permeates so much of the campus makes me incredibly happy.

Art is everywhere. I’ve made connections to art in so many different ways that it seems impossible, but it’s such a vital part of our lives. And this blog has taught me how to find it, and how to express how it makes me feel and wanting to imprint that on others. It’s a feeling I can’t describe. It’s a feeling I want to keep forever.

Scales of Foolishness

A somber mesmerized delicate fool caught a glimpse of the delectable shades of gray that covered the walls of the building where he used to amuse those who waddled in with artificially smelling green that crumpled and ripped whilst being handled by unaffectionate hands. He could still see the spectrum, the array, of jewel like fragments of light, sparkling across the floor, along the walls, and deep within the recesses of his mind. If memory served him right, the old place used to be so overtly beautiful, filled to the brim with colorful people and objects, yet this supposedly prime level of extravagance did not sway the old fool to stay. Rather, he was much more attracted toward the scales that existed outside this world of bland happiness.
Two summers ago, yes, around that time, I the fool left the keyboard of this silly hall in order to travel beyond the world of color and factitious delight. I did not yearn for darkness, nay, but upon my dismissal, perhaps even far before then, I sought the intricacies of the ineffably expansive linearity of complex yet simplistic differences between the often forgotten distinctive tones of gray. The gray scale spoke to me in far grander overtones than the false kings of optical seduction. It’s elegance came forth from its ability to be beautiful without calling attention to itself. Color on the other hand, the muddled form it is, is a massive amalgam of cacophonous and rude little children of pigment that all vie for the attention of the motherly eyes that graze over the wall, canvas, or what have you. Yet little gray scale remains still, in the corner, watching his supposed siblings leap over one another. Upon closer inspection however, the eye sees the growth of poor little neglected gray scale, it sees him grow and grow and grow.
Yet this fool. Oh, this fool. He see’s not, the truth of the vibrant jewels that stand aside old gray scale. Indeed they are obnoxious and chaotic as they clamor over one another as they try to stay in the light. But together, they are a concoction that transmutes itself into an image of anarchic organization, and a beautiful opalescent one at that. The single, idle gray scale, he but remains silent for he sees the truth, but he remains independent in the eye of this old fool. A fool that has been out of the race since the race started, a negligible fool, he plays by himself, up and down the scales he goes, why would he need the other’s, when he himself can be all. Yet a question arises.