Bringing Classic Rock to Millenials

It has become the sad reality that classic rock is reserved to the small sub-groups of zealous fathers at tailgates and epic movie montages. This occurrence is not only unfair to the legions of talented musicians that are being forgotten, but also to the millions of people in the world missing out on critical stepping stones in the development of music as we know it. Although how we somehow went from Led Zeppelin to Calvin Harris in the Top 40 escapes me.

I am fortunate enough to say that my dad exposed me to Steely Dan, Boston, Black Sabbath, and tons of other classics as a kid on a regular basis. I became a musician, attended a music school for several years, and started a handful of bands over the years, which also helped drill a ton of musical knowledge into my brain. I’ve heard pretty much every Zeppelin, Floyd, Bowie, and Hendrix song a hundred times, and the music I listen to daily includes Heart, the Allman Brothers, Frank Zappa, Rush, and Yes. I recognize that this is a little unusual and I find this to be a major issue for today’s youth. People are losing the ability to mentally process anything other than computerized, electronic sounds and are missing out on a ton of rad guitar solos, earth-shattering vocals, and real musical innovation that changed the face of music completely.

To claim to be “into music” and not be able to name a Beach Boys song is not okay. Though this music is from decades ago, it continues to be every bit as revolutionary now as it was when it was created. We have to remember that these classic rock pioneers completely redefined music and influenced more social and cultural movements than we can imagine. When you listen to The Ocean by Led Zeppelin, you immediately recognize their influence in pretty much every modern rock band. The Beach Boys were clearly the influence for the current beach rock movement, Hendrix ‘s raucous style inspired Jack White and John Mayer, and Pink Floyd was the beginning of psychedelic rock, a genre now championed by Tame Impala. There are countless ways in which rock legends continue to influence modern music, and there are also countless ways in which their contributions are overlooked, leading to the mass production of utter shit music (sorry, Pitbull & co.).

Maybe if everyone just went out, bought themselves a copy of Dark Side of the Moon, locked themselves in their rooms, and listened to it on repeat until they understood the true meaning of music we would live in a world without synthetic, soul-less, over-produced, falsified pop music that puts a completely altered idea of music in the brains of the masses. So many people have grown up knowing only this, and it is my hope that some far-out guardian angel comes into their lives and introduces them to Janis Joplin and The Doors and allows them to see the light. Peace, love, and rock ‘n’ roll.

The Staying Power

This week, one of my favorite bands released a music video. Well, not really a music video. It was a filmed performance of a song at one of their concerts from their last tour which, sadly, I was unable to attend. And just a few days ago, this video made big news.

Why, you may ask? Because it was Panic! At The Disco singing Bohemian Rhapsody.

Now I will be the first to say that my mom raised me right when it comes to music. Even though I pretty much missed the whole “Backstreet Boys” craze thing of the 90s (but hey, I still know almost every word to “I Want It That Way” so I’m not a total loser, right?), my mom raised me on The Eagles, The Beatles, The Four Tops, Duran Duran, Steppenwolf…the list goes on. When I was 8 I could probably sing every word to “I Wanna Hold Your Hand” and “A Hard Day’s Night”, and at the time I didn’t think this was a big deal; I didn’t know why my mom would make me listen to these old bands when all my friends were singing Christina Aguilera at me. But as I got older, I realized that my eternal love for classics was a really, really good thing.

I’m not saying there’s anything wrong with our current pop music. Believe me, I will be the first to admit that I’m that one girl screaming SHAKE IT OFF, JUST SHAKE IT OFF in her room while she’s changing her sheets (but only when my roommate isn’t around, of course). Last year Katy Perry’s “Roar” was my ultimate anthem. Pop music is vital to a country’s culture; it defines how the country feels at the moment, whether it be eternally sick of I’m so happyyyyyyyyyyyyyyyyyyyyyy, or falling in love with Sia’s latest brilliance (â”Chandeliers” is seriously gorgeous). People can connect instantly by just mentioning a song they heard on the radio an hour ago.

But then where does that leave Panic! At The Disco? And where did Queen come from, and how did they get so popular? I think one of my favorite conversations revolving around music, especially when you make friends with people who like classic rock, is the “who will stay” conversation.

Starting around the 50s and 60s, brilliant artists emerged who decided to do things with music that had never been done before. Elvis swung his hips and Bob Dylan started a movement, and we remember those artists for their contribution to the art of music, even if we don’t listen to them. You’d be hard pressed to find someone who doesn’t recognize an Aerosmith song, or has never heard of Led Zepplin. But it’s a lot harder now to find artists who are breaking boundaries like these guys did because…well, these guys paved the way.

And the fact is, bands just aren’t popular anymore. Sure, you can lash out at me with about a dozen bands who put music on the radio consistently, but the majority of artists creating music are solo, which starkly contrasts with how it was from 1964 onwards.

So here you have Panic! At The Disco, a marginally popular but by no means explosive alt-pop band, covering Queen’s classic anthem? eulogy? I don’t even know how to classify the epic-ness that is “Bohemian Rhapsody”, but as I watched I seriously doubted if Brenden had the chops to perform such a heavily revered piece of art. I was pleasantly surprised that I did in fact enjoy it, but it made me wonder if my children will like Panic! At The Disco like I liked Queen. Of course, they’ll listen to it – even though I do admit to being a lover of pop I spend more time in the indie realm of music, and that’s where my children will be.

But when I introduce Death Cab for Cutie to them, will they instead be talking about that one Australian girl who tried to rap? I don’t know the answer to most of the questions I’ve asked, but I hope that the artists who work hard, who pour their blood and sweat and tears and soul into crafting lyrical and musical art, that they’ll be the ones that will be remembered – whether they come from a pop background or whether they hardly make the Billboard Top 100.

Right now, a song called “All About That Bass” is number one on the Top 100 chart. So I wonder – in ten years, will I be laughing at someone who covers it, or will I be clapping?

Special shoutout to the Billboard Top 100 for helping with some of the research…I mean really, how would I know that “All About That Bass” is number one right now?