Letters by Lydia: Summer Inspiration and Resources

Happy end of semester, everyone!  Congrats to all for making it through the year, and I hope you’re all settling into the summer.  This is my last post of the school year, so I thought I’d leave you all with some ways to stay involved in handlettering and art over the summer.

First off, here are some of my favorite lettering accounts on Instagram, if you’re looking for more inspiration, resources, tips, etc.

If you’re looking for something colorful, bold, digital, and maybe politically progressive, I’d recommend @inkusdingus or @glitterandbold.  For satisfying process videos and lots of juicy pens, I’d turn to @lettersandlattesllc (who also happens to be a fellow Michigander!), or @the_letter_salon.  For bullet journaling inspiration, definitely check out @thegraytergood, and for pen and stationery recs, look no further than @amandarachlee.  As for other favorites of mine, @snooze.one is a more experimental, graffiti-inspired typographer, and @keeplivingfaster is definitely the page to visit if you want watercolor lettering and lots of glitter.  Finally, if you want a page to get some general inspo and find lots of artists, my favorite account is @goodtype.  Enjoying your scrolling!

Now, if you want some website recommendations for some stationery shopping, here my go-to’s for that.

JetPens is a classic for keeping up with new pens as well as finding the classics, plus it has lots of variety and is reasonably priced.  Stationery Pal is really fun for specialty or limited edition items, cheap stationery (like, super cheap), and colorful and fun pens, trinkets, etc.  Shipping takes a bit, but in my opinion the price makes it worth it.  Tokyo Pen Shop is a new one I’ve been perusing, so I can’t speak to how it is to order from them, but they have a lot of fun and unique items.  For more stationery rather than pen-centered products, Present and Correct is a really fun one to check out for a very vintage, specialized feel.  And, of course, Amazon is always a fast and cheap option.  If you want to do some in-person shopping, Michael’s, Blick Art Materials, and even stores like Barnes and Nobles are all good options.  For Ann Arbor stores, I’d check out Rock Paper Scissors, Papersource, and Found.  There are tons of independent stationery stores everywhere, though, so if you’re traveling somewhere, it’s never a bad idea to look up stationery stores in that area (I’ve found some really good ones that way!).  Happy shopping!

I hope that information is helpful and gives you a lot to look into over the summer if you’re interested!  Either way, I hope you all have a relaxing few months and do some art if you can or want to 🙂

The Poetry Snapshot: strength is undefinable

Alpental, Washington

I’ve been told to stay strong.
not cry
be the rock
pull it together
and I’ve succeeded.
I’ve successfully built a wall around me,
locked up my emotions, and lost the key.

All this time I thought someone else
would have a spare,
so I’ve been looking for myself in others.
But when has a locked door
stopped a prisoner from escaping.
Perhaps, I need to bring down these walls
with the same strength that built them.
Because there is nothing weak about
vulnerability.

 

This poem was inspired by a recent opportunity that allowed me to let my guard down and share a personal story to the public. After years of thinking that my strength came from internalizing my story, I realized that sharing it and allowing it to be a beacon of hope for others was my real display of strength. Strength is not limited to the constraints set by the media that showcases our lives filtered and perfected, and a culture of always putting on a happy face. Breaking through those constraints and embracing the authenticity of being vulnerable, accepting mistakes, and needing help is also a display of strength.  

Architecture and its Inspirations: from the Eyes of an Architecture Student

Hi Everyone!

I’m back again this week’s topic: Design Inspirations!

So, I’m curious, what things or what places would you guess we as aspiring designers get our ideas (please don’t say “your mind” or anything of the like)?

Take a moment, think THINK, give a guess?

Well, I’m going to give an educated guess about your guess, and say that you most likely said something along the lines of something on this known universe!! Like, famous precedents of the past, or perhaps a current proposal from a starchitect? Or even mundane, everyday objects? Experiences from our own memories? Or maybe even something that happened to us, almost as though in parallel to Newton being hit in the head by an apple?

So, this is gonna sound lame, but I’d consider all of the above as listed, as a partially right answer. I mean, we’re still humans, and we draw our ideas from live experiences from our human minds, so yes, all of the above could serve as points of inspiration, since they are all valid sources of Earthly experiences that can feed into our designs.

But, I say partially, because, all of those things are just the factors that serve more like kick-offs to further ideas into our designs. In other words, they’re like the lighter to firecrackers- they serve their single purpose to ignite the flame, and the rest of the party happens a few moments later, after having had time to absorb and chemically react to the ignition.

***

As a design student, we are often given a relatively detailed yet open-ended prompt to give us some context and general guidelines for the proposal that we are to make. Usually, I read it over a few times and look into any words I find confusingly used or I’m unfamiliar with, then try to interpret the prompt as concisely as I can in my own way, as I often find this to be the best way for me to understand what is expected of me and narrows down my scope of research for inspiration for my proposal!

In my current studio, we are doing a partnered project and our prompt is to make a facility to allow for the storage and display of artwork/artifacts primarily, but we are free to add any additional programs as we see fit.

My partner and I came to a compromise and agreed that our proposal is to make a facility that primarily functions as storage for artwork and artifacts of any medium and size (with just the limit that it must be able to fit within our site, and estimated square footage), and it would be able to accommodate for pop-up exhibitions through proactively interactive elements from the infrastructure of our facility.

From this, our first assignment (under this overarching project) is to (as best) clarify and demonstrate our first-pass ideas to actually build such a facility. We call this phase another research process, where we gather what other information we need, and create concept drawings (usually quick sketches) to communicate our thoughts in how we imagine as “answering” this “question” of how to make a storage facility that can also have interactive elements that change the building’s function from storage to pop-up exhibition. And these concept drawings then lead to concept models, also known as sketch models, which are usually pretty ratchet, and serve as a first attempt for us to literally get our hands on our ideas, and it shows us what does or doesn’t work, and usually also functions as yet another source of inspiration for more of ideas, which then lead to an ongoing cycle of creating other concept drawings and concept models.

Usually, what happens after this is, we present our ideas through talking with our studio professor about the idea, showing him our concept sketches along with that, showing him our concept model(s) and then explaining what elements of our ideas worked/didn’t work from those first-pass models. The professor would then usually reword the purpose of your proposal, to verify that we are on the same page of what ideas we are trying to portray. Then, he will critique what you’ve just showed to him, and when things can be done differently to be more effective, he will suggest his own ideas and even insight on how to make such amendments to our initial ideas. Sometimes, this can be pretty frustrating and end up in tears and torn up models and drawings, and you end up pursuing a whole new idea. Other times, we get the “okay” and continue to build upon it, revising drawings to make them ultra-clear to read, and building further models if necessary to clarify or experiment on a specific topic from those previous models.

***

So, my partner and I each decided to make our own study models over this weekend (since we agreed that we may each come up with interesting elements that we can then combine to create a perfectly partnered proposal afterwards).

I chose to tackle our proposal by brainstorming three potential methods for the storage infrastructure to become pop-up exhibitions. I asked myself, how can I create something that can assume both identities as storage and interactive exhibition spaces? Naturally, I went on Pinterest, and got hooked on images of origami til parametric architecture; essentially the idea of folding elements to create a new object and or space- I was envisioning elements that could be folded to save space, but also add elements of surprise to the space, especially if they could be reconfigured, or we play with different colors, textures, or  materials.

And I came up with these three ideas, initially concept drawings, where I attempted to sketch what I was imagining, and then going back, scrutinizing that chicken scratch of a sketch, and writing down possible logistics on what would help it to function, and what would keep it from functioning well. In the image below, you can see I attempted to give each idea a sort of summary title (which helps to keep me focused on what the sketch should be and what purpose and elements it should have).

Then, I proceeded to look upon my leftover materials, and made decisions on how the heck I would construct a rough model to display these ideas best.

This is my first model (see below), which corresponds to idea #3 from my sketchbook, and I chose to just use Bristol- kind of like a fancier cardstock. I chose this because I like the clean look of white paper, but also it is a relatively easy-to-cut material that’s cheap, and that was really all I needed because I was just looking for a way to convey my ideas in the most affordable and decent-looking way possible! It’s a bit gnarly, but it serves its purpose (and ironically, it’s sometimes the ugliest of models that inspire the critics most haha).

The second model (see image below), which is meant to display concept sketch idea #2, I decided to construct from a mix of thinly sliced4-ply museum board, a hot-pink post note I found chilling around my desk, masking tape, regular tape, some white sewing thread, and scraps of trace paper. I was shooting for different materials that could suggest different materialities, and it was also just me trying to get a handle on how to best create these forms while attempting to maintain overall stability of the standing model.

Lastly, the third model (see below), corresponds to idea #1 of my sketches, and I decided to use a mix of scrap pieces of 3-ply cardboard, 4-ply museum board, and some bristol scraps. I was simply aiming for stable materials that wouldn’t be too much of a pain to cut and scour for folds, and they would be able to stand alone when re-positioned or refolded during demonstrations.

As you may have noticed, I took as best photos as I could of these ratchet models, not just for my own enjoyment as a photographer, but also since they serve as documentation for future mentions in portfolios,  and I’ve learned the hard way that anything (drawings, sketches, mental mindset, etc) you bring to a critique can be drawn over or torn up for the interests of pursuing another idea off of your initial ideas!

***

I’m a little nervous and excited to present these to my partner, classmates, and professor in class tomorrow, but I’ve sort of gotten used to this feeling, as these kinds of assignments happen all the time for class.

But thanks again, to all of you, who took the time to read all the way to this exact line!! I hope you enjoyed my insights! If you have any questions or comments, feel free to respond to this post, and I’ll be so excited to read it! And if you’re interested in seeing more of my work, in and out of the studio, give me a follow on instagram: @themichiganarchitect!

Ciao 🙂

Jessie Reyez: The Strong Voice We Didn’t Know We Need.

If you are a casual listener to pop radio you have probably heard the song Figures. However, do you know the artist behind the smooth and powerful melody, Jessie Reyez? This brilliant and blazing woman was born and raised in Ontario, Canada, by Columbian parents. Her father taught her how to play guitar at a young age and in high school she started writing songs. When she was seventeen, Jessie endured her first real breakup and poured her emotions into her writing and music. She has written about the pain and hurt she experienced and how she wants to reciprocate it but doesn’t. Although never going through a harsh breakup, listening to these songs makes me feel like I have. The vibe and mood combined with her well written lyrics allows me to connect with her experience and connect it to myself. In addition in some of her songs, one can see her strong personality, and how she is an individual who cuts negativity out of her life and carves her own path.

Reyez has a raspy voice that can change from a low smooth sound to a soulful high pitched ring. Some may find her voice annoying and others will listen and hear an exposed and organic god-like sound. Her songs are poetic and her decisions of where she sings low to high makes each song powerful. In the song Apple Juice, the rhythm she created and the words she sings makes you want to sway and shout out the lyrics. Jessie Reyez’s songs can vibrate through your whole body and her words make you feel understood and connected. Her recent EP release, Being Human In Public, is a raw depiction of her emotions. I 10/10 would recommend listening to it in a car with the windows down and driving over a bridge. Shouting the words is also encouraged.

Jessie Reyez creatively writes her songs while staying true to herself. She adds artistic flare with her unique voice but also by incorporating her true feelings although they might be judged. In addition, on her recent EP album, she has a song Sola, sung and written in Spanish. Although in another language, an individual can easily infer it is Reyez by not only the sound but her style and message. I cannot speak or understand Spanish but Sola is one of my favorite songs by her. Her emotion and melody make me feel pain and love. I like to close my eyes and sway when listening to the soft and bold piece.

Reyez has attracted fans internationally through her feminine bops and powerful responses about life. She has been nominated for many best new artist of the year awards and has won the Juno Award for Breakthrough Artist. Her followers have escalated to one million on instagram in the past year, and she will continue to grow with special character.

Follow your Passions and Never Work Again

In anticipation for my final Arts Ink posting, my mom asked me what I was planning on writing about. I confessed that I hadn’t thought about it (and frankly had too many other things on my mind that took priority over this post). She went on to reflect on what a great opportunity it has been for me to have this job for my last two years of college. And she’s right and she’s wrong.

Writing for Arts Seen and then Arts Ink has certainly given me the incredible chance to attend brilliant performances, readings, and concerts, and turn them into written reflections. Each Sunday this year, I’ve been able to sit down with my thoughts and soak my brain in all kinds of art curiosities, musings, and explorations. And hopefully, my writings have not only affected me for the positive, but also I hope it has inspired others to imagine, meditate, create, and engage with the beautiful world around them.

But my mom was wrong – this isn’t a job. Never has it ever felt like a job to me. And I think that’s the greatest thing I could hope for. Sure, there may be deadlines. I might have to say, “Sorry, no bar trivia tonight. I have a blog post to write.” But I don’t ever feel like I’m missing out on fun or working at all. And as a graduating senior, I can only hope to discover more opportunities to be productive and creative, and “not work.”

I just watched the 2011 documentary, “Jirō Dreams of Sushi” last week and within the first five minutes of the film, the eponymous protagonist tells the audience:

“Choose your occupation carefully. You must dedicate yourself to the work. Fall in love with it. Never complain. Dedicate your life to mastering the skill.”

For Jirō, that comes in the form of sushi. He dreams about it. He works from 5 am until after his restaurant closing time, living and breathing his sushi creations. And he’s 85 years old.

I find tremendous admiration in the spirit of Jirō and his constant drive and passion to always improve his own craft as well as the experience for his staff and customers. You can tell that when he is in his restaurant, behind the sushi bar, with the starchy granules of rice and the slippery smoothness of fatty tuna belly on his fingers – he is in his happy place. That is where he wants to be.

So friends, whether you’re graduating this week, next year, or graduated fifty years ago, become your own Jirō. Follow your own sushi dreams, commit yourself to your craft, become your own life’s artisan and chip away at it with love and authenticity. Turn your work into a work: of art, of service, of community outreach, of technology, of inspiration. I wish you all the best at whatever your dreams behold <3

Thank you for the wild ride,

Cammie F.

 

Passions vs. The Real World

It’s that time of the semester.

If you are currently in college, you know what I mean. Today in class one of my professors spoke openly with us, telling us that professors hated this time of year. After months of snow and winter and general gloominess, the effects are starting to show in students. They raise their hands less often, they feel more lethargic, and he described it as just a general atmosphere that all professors dread.

As for me, I can definitely feel it. It’s not only the lack of warmth and sunshine (that we seem to finally be getting here in Michigan), but just the everything-ness of this time of the semester. It’s not just having to do schoolwork, it’s having to do schoolwork, and find time for meetings, and friends, and jobs, and summer plans, and family, and – for some of us – graduation. It’s a list that goes on and on.

Last night I read through a short story I wrote this semester for the Hopwood Awards. I didn’t write a blog post about this, but it’s the first time I’ve been brave enough to submit anything I’ve written. I decided screw it, I’m a senior, it’s now or never, and wrote a 20+ page short story in the span of about three days, which, if you are a writer, know how incredibly short that is. I even got up at 9 a.m. to finish it up before the deadline, shocking my roommates who typically don’t see me up and awake before 11, sometimes even noon.

But I was thinking about how much joy that gave me, even in the midst of the crazy semester around me. I banged out a 20+ paper because it was something I’m passionate about. Writing, for me, has always been something I’m passionate about. And at the moment, I’m working on a research paper for a class..and yet I’m not. I can’t work on it, because I have so many other thousands of millions of things to do.

Inspiration and creativity are some of the most elusive characteristics of writing. A lot of advice I’ve been given in college surrounding my writing is to keep doing it, even when inspiration doesn’t hit.

But I never seem to have trouble with inspiration – it’s always the time. I get so frustrated that I have other things I could be doing besides working on a short story or writing Part 2 of the blog post about albums (I promise, it’s coming). And then this frustration gets worse whenever I realize that I have to do things I don’t want to in order to do the things I love, like write and read and watch TV (and think critically about watching TV).

But sometimes, life doesn’t work that way. I don’t like it, but it’s the truth.

This message is brought to you by a stressed college student who knows she shouldn’t be stressed but is anyways.*
*never stop writing, even when you’re stressed